Emilinha-Borba

Carnival Songs: Mulata iê iê iê

Emilinha-Borba

 

It feels like the perfect storm: carnival is nearly upon us, my best friend from England arrives in Rio tonight and to top things off, it’s Friday! It’s enough to make you want sing isn’t it? Well don’t hold back – today I’m adding another classic marchinha to my list of favourite carnival tunes (see under the “Carnival” menu item above).

Being the ignorant gringo that I am, I had some trouble finding this song because I knew it only as ‘that passarela song’. It is often listed as “Mulata Bossa Nova”, but officially it is called Mulata iê iê iê (‘iê’ sounds like ‘yeah’).

The song was written by our old friend João Roberto Kelly (remember Cabaleira do Zezé?) and made famous in 1965 by Emilinha Borba (pictured above). Emilinha sounds like she must have been quite a character, having well publicised feuds with rival divas of the time, including an actual physical fight with Linda Batista over the affections of a visiting Orson Welles! Anyway, let’s hear her sing the song shall we?

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medley-in-brazil

Gringo Funk

medley-in-brazil

 

If you spend any amount of time in Rio, you’ll find Baile Funk (AKA Funk Carioca) hard to avoid – you might hear it being played at the beach, on the bus or pumping out of clubs and favelas on the weekends.

I’ve spent a fair amount of listening-time trying to get into this style of music but with a few exceptions I’ve found most of it sits somewhere between ‘underwhelming’ and ‘downright annoying‘. To me, Baile Funk sounds about as unfunky as you can get.

I’ve watched a couple of documentaries about DJs coming over from Europe and the US and championing Baile Funk (Favela On Blast) and I always wonder if the estrangeiros really understand what the lyrics are all about (common criticisms levelled at funk music is that the lyrics are misogynistic and encourage the sexualisation of young girls).

Well, help is at hand for the confused gringo wannabe funkeiro. A group calling themselves “Medley In Brazil” have been performing translated versions of popular Funk tracks and the results are pretty hilarious. First have a listen to the original as Avassaladores (Overwhelmers?) sing this self-effacing song of modesty and meekness, Sou Foda:

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Carnival Songs: Mamãe Eu Quero

Well it’s that time of year again – carnival lovers start planning their fantasias while carnival haters start looking for a quiet country pousada where they can escape the mayhem.

This will be my fourth carnival and I’m really looking forward to it. Contrary to what you might expect, I have enjoyed each carnival more than the one before. This has been due to knowing what to expect, better planning, and getting to know the marchinhas (traditional carnival songs).

That last point might sound strange, but imagine yourself surrounded by thousands of people who are having the time of their lives, all singing their hearts out to what sounds like a really catchy song. Only problem is you don’t even know the tune, let alone the words. Sure there are worse things that can happen to you, but still, it’s more fun when you know the songs.

With that in mind, I’m adding another classic marchinha to my list of classic Carnival Songs that everyone should know. Mamãe Eu Quero, written by Vicente Paiva in 1936, is one of the most popular marchinhas of all time. Paiva was born in 1908 in São Paulo and sadly I could only find one picture of him.

Vicente-Paiva

Vicente Paiva may not have left a lot of photos, but his music is still going strong.

As well as being a composer, Paiva was also a pianist, singer and arranger. Mamãe Eu Quero is probably the song he is best known for, though he was no one-hit wonder – he also wrote O Cordão da Bola Preta and Voltei Pro Morro

But let’s get to his greatest success. Mamãe Eu Quero (Mummy I want it) was recorded in December 1936 by friends and collaborators, Jararaca and Almirante. Released in early 1937, the song was a huge hit in that year’s carnival. Here is that original version:

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Role-Carioca

A stroll in Saúde with Rolé Carioca

Last Sunday, a friend and I got up super early (well, 8am, but this was a Sunday remember) and headed to central Rio. Centro is a weird place on the weekend – most of the huge, wide streets, so busy and chaotic on weekdays, are almost completely deserted.

It’s a shame because Centro has some beautiful buildings and excellent bars and restaurants but almost everything shuts down on weekend – you half expect to see tumbleweeds rolling down Avenida Rio Branco. There are some oases, such as the Saturday samba on Rua do Ouvidor, but the vast majority of the city centre is completely fechado.

There are some reasons to be hopeful – I’m hoping that regeneration schemes such as Porto Maravilha will help improve the situation. While we wait for that though, there is another option but it means giving up your Sunday morning lie-in.

Role-Carioca

The people at Rolé Carioca organise walks through the more interesting, historical areas of the city.

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Toz-graffiti-Zona-Portuária

Photo Post: Yep, that’s where I’d park too…

You’ve got the entire car-park to yourself, in front of this monster-sized piece by Toz (the largest mural in Rio). Where are you going to park?

 [click it for larger view]

Nice placement

Nice placement…